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Arquitectura

  • Patio de agua rodeado de pabellones de hormigón y cristal

    Water Court at the Pavilions
    Foto: Iwan Baan
    Courtesy: Glenstone Museum

  • Aerial view of retangular pavilions and exterior land art

    Aerial of Pavilions

    Foto: Iwan Baan

    Courtesy: Glenstone Museum

  • People gathered in concrete architectural setting with large glass windows

    The Passage in the Pavilions
    Foto: Iwan Baan

    Courtesy: Glenstone Museum

  • Two people on a winding path through lush foliage leading to blocky concrete building

    Approaching the Thomas Phifer and Partners building housing Four Rounds: Equal Weight, Unequal Measure, designed in collaboration with the artist, Richard Serra.

    Courtesy: Glenstone Museum

  • Blocky concrete building in the woods with pathway leading to entrance

    Approaching the Thomas Phifer and Partners building housing Four Rounds: Equal Weight, Unequal Measure, designed in collaboration with the artist, Richard Serra.

    Courtesy: Glenstone Museum

  • A modern-looking building overlooks a large pond surrounded by trees and grass

    The Gallery and Pond

    Foto: Iwan Baan

    Courtesy: Glenstone Museum

Arte

  • Large outdoor sculpture of a rocking hourse head covered in vibrant flowers

    Jeff Koons
    Split-Rocker, 2000
    acero inoxidable, tierra, tejido geotextil, sistema de riego interno y plantas con flores vivas
    37 x 39 x 36 feet
    © Jeff Koons
    Photo courtesy: Glenstone Museum

  • Large geometric sculpture sits amidst gravel and foliage

    Tony Smith

    Smug, 1973/2005

    Aluminio, pintado de negro

    11 x 78 x 64 feet (3 x 24 x 20 m)

    © 2018 Estate of Tony Smith / Artists Rights Society (ARS), New York

    Foto: Iwan Baan

    Courtesy: Glenstone Museum

  • Four weathered steel cylinders in a concrete structure

    Richard Serra

    Four Rounds: Equal Weight, Unequal Measure, 2017

    acero forjado

    © 2022 Richard Serra / Artists Rights Society(ARS), New York

    Courtesy: Glenstone Museum

  • Large clay sphere in a stone structure

    Andy Goldsworthy
    detail of Clay Houses (Boulder-Room-Holes), 2007
    mica-schist, clay, hair, slate
    exterior of each house, height 4m, width 4.9m, length 5.8m
    © Andy Goldsworthy, courtesy Galerie Lelong & Co.
    Foto: Jerry Thompson
    Courtesy: Glenstone Museum

  • Blurry figure of a person stands next to glass cylinder and window overlooking a water court

    The Passage in the Pavilions

    Roni Horn

    Water Double, v. 3 (detail),2013—2015

    Vidrio fundido macizo con superficies fundidas

    two units, each 50⅛ inches x 53–56-inchtapered diameter (127 cm x 135–142-cmtapered diameter)

    © 2018 Roni Horn

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • A dirtied white sculpture with a fan-like structure attached to a rectangular base

    Cy Twombly

    Cycnus, Rome, 1978

    Madera, hoja de palma y pintura blanca

    15⅞ x 9½ x 2⅛ inches (40 x 24 x 5 cm)

    © Fundación Cy Twombly

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • Aluminum sculpture of a man sitting on a horse

    Charles Ray

    Horse and rider [Caballo y jinete], 2014

    Acero inoxidable macizo

    109 ½ x 40 x 105 ⅞ inches

    © Charles Ray

    Courtesy: Matthew Marks Gallery

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • A wall painted with a mural of the woods, with three sinks and two windows with bars

    Robert Gober

    Untitled (detail), 1992

    Madera contrachapada, hierro forjado, yeso, pintura de látex, luces, hierro fundido esmaltado, acero inoxidable, bronce fundido pintado, agua, metal, bombillas, yeso fundido con caseína y tinta serigrafiada, fotolitografía sobre papel de archivo Mohawk Superfine, cordel, mural forestal pintado a mano

    Medidas variables

    © Robert Gober, Courtesy Matthew Marks Gallery

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • Painting seen through a doorway made of concrete blocks

    View into installation

    On Kawara

    Moon Landing (detail), 1969, from Today series (1966–2013)

    Acrílico sobre lienzo

    three panels, each 61 x 89 inches (155 x 226cm)

    © One Million Years Foundation

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • Una habitación iluminada con luces LED rojas, con una placa en el suelo en primer plano

    Jenny Holzer

    The Child Room, 1990–2025

    Biancone, Nero Marquina & Rosso Magnaboschi marble floor;

    12 letreros LED con diodos verdes, rojos y amarillos

    Texto: Madre e hijo, 1990

    Installation: Jenny Holzer, Glenstone Museum, Potomac, Maryland, USA, 2025

    © 2025 Jenny Holzer, miembro de la Sociedad de Derechos de los Artistas (ARS), NY

    Photo: Glenstone Museum

  • Un hombre mira hacia un pájaro de dibujos animados y se sienta en una mesa llena de juguetes de plástico y una Cajita feliz de McDonalds

    Alex Da Corte

    Diablo Lápiz de Goma [todavía], 2018

    Vídeo digital HD

    © Alex Da Corte

  • Large neon sculpture of a house on fire

    Alex Da Corte

    Rubber Pencil Devil (Hell House), 2022

    neon, aluminum, rubber, automotive paint, velvet, glass, vinyl, foam, hardware, Plexiglas, plywood, speakers, monitors, chairs

    204 x 204 x 270 inches (518.16 x 518.16 x 685.8 cm) neon house

    © Alex Da Corte

    Foto: Ron Amstutz

    Courtesy: Glenstone Museum

  • Three mixed media artworks on the three walls of a white room

    Jaune Quick-to-See Smith

    Flathead Dress, 1992

    Técnica mixta sobre lienzo

    103 x 66 pulgadas (261.62 x 167.64 cm)

    I See Red: Indian Map, 1992

    Técnica mixta sobre lienzo

    60 x 100 pulgadas (152.4 x 254 cm)

    Map to Heaven [Mapa al Cielo], 2021

    Técnica mixta sobre lienzo

    80 ⅛ x 49 ⅞ x 1 ½ inches (203.52 x 126.68 x 3.81 cm)

    31 ¼ x 16 ¾ x 1 ⅝ inches (79.38 x 42.55 x 4.13 cm)

    © Estate of Jaune Quick-to-See Smith

    Photo: Glenstone Museum

  • Una gran figura femenina de bronce envuelta por una serpiente se alza en una sala de concreto con ventanas.

    Simone Leigh

    Sentinel (Mami Wata), 2020-2021

    bronce

    194 x 64 x 28 pulgadas (492.76 x 162.56 x 71.12 cm)

    © Simone Leigh, cortesía de la Galería Matthew Marks

    Photo: Glenstone Museum

Naturaleza

  • A boardwalk zigzags through the woods

    Boardwalk at Glenstone

    Foto: Iwan Baan

    Courtesy: Glenstone Museum

  • Un sendero conduce a los Pavilions, un edificio de hormigón gris.

    Approach to the Pavilions

    Foto: Iwan Baan

    Courtesy: Glenstone

  • A person crosses a grey wooden bridge surrounded by woods

    The Gallery Bridge

    Foto: Iwan Baan

    Courtesy: Glenstone Museum

  • Dos ciervos se encuentran junto a un árbol, rodeados de hierba alta, en las afueras de unos edificios de bloques de hormigón

    Deer at the Pavilions

    Image: Iwan Baan

    Courtesy: Glenstone Museum